{"id":397,"date":"2026-05-01T13:22:50","date_gmt":"2026-05-01T13:22:50","guid":{"rendered":"https:\/\/www.tarihicamiler.com\/?p=397"},"modified":"2026-05-01T13:24:38","modified_gmt":"2026-05-01T13:24:38","slug":"edirne-selimiye-camii","status":"publish","type":"post","link":"https:\/\/www.tarihicamiler.com\/index.php\/2026\/05\/01\/edirne-selimiye-camii\/","title":{"rendered":"Edirne Selimiye Camii"},"content":{"rendered":"\n

Osmanl\u0131 tarihimizin en g\u00f6rkemli tarihi yap\u0131lar\u0131 aras\u0131nda yer alan ve Mimar Sinan’\u0131n da ustal\u0131k eserim dedi\u011fi o tarihi cami: Selimiye Cami. <\/p>\n\n\n\n

D\u00fcnya mimarl\u0131k tarihinin en parlak dehalar\u0131ndan biri olan Mimar Sinan\u2019\u0131n, 80 ya\u015f\u0131nda in\u015fa etti\u011fi ve “Ustal\u0131k eserim”<\/strong> diyerek ta\u00e7land\u0131rd\u0131\u011f\u0131 Selimiye Camii, sadece Edirne\u2019nin de\u011fil, t\u00fcm \u0130slam co\u011frafyas\u0131n\u0131n en g\u00f6rkemli yap\u0131lar\u0131ndan biridir. Osmanl\u0131 \u0130mparatorlu\u011fu’nun g\u00fcc\u00fcn\u00fc, zarafetini ve teknik bilgisini tek bir kubbe alt\u0131nda a\u00e7\u0131k ay format\u0131nda toplayan bu devasa yap\u0131, as\u0131rlard\u0131r \u015fehrin her noktas\u0131ndan bir kandil gibi parlamaktad\u0131r.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Sultan\u0131n R\u00fcyas\u0131 ve Sinan\u2019\u0131n Dehas\u0131<\/strong><\/h3>\n\n\n\n

Sultan II. Selim\u2019in emriyle yap\u0131m\u0131na ba\u015flanan cami, \u0130stanbul yerine Edirne\u2019ye in\u015fa edilmi\u015ftir. Bunun sebebi olarak, Edirne\u2019nin o d\u00f6nemde imparatorlu\u011fun bat\u0131daki merkezi olmas\u0131 ve Sultan II. Selim\u2019in \u015fehre olan \u00f6zel sevgisi g\u00f6sterilir. Mimar Sinan, bu yap\u0131da daha \u00f6nce \u015eehzadeba\u015f\u0131 ve S\u00fcleymaniye\u2019de denedi\u011fi t\u00fcm teknikleri en \u00fcst seviyeye ta\u015f\u0131m\u0131\u015f; geleneksel mimarideki “destek duvarlar\u0131” ve “yar\u0131m kubbeler” engelini a\u015farak devasa bir bo\u015fluk yaratmay\u0131 ba\u015farm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Matematik ve Sanat\u0131n Bulu\u015ftu\u011fu Kubbe<\/strong><\/h3>\n\n\n\n

Selimiye\u2019yi d\u00fcnya \u00e7ap\u0131nda e\u015fsiz k\u0131lan en \u00f6nemli \u00f6zellik, tek bir merkez etraf\u0131nda toplanan mekan b\u00fct\u00fcnl\u00fc\u011f\u00fcd\u00fcr.<\/strong> Sinan, yakla\u015f\u0131k 31,5 metre \u00e7ap\u0131ndaki devasa kubbeyi, sekiz adet fil aya\u011f\u0131na (devasa s\u00fctunlar) oturtmu\u015ftur. Bu sistem, caminin i\u00e7ine girdi\u011finiz an t\u00fcm mekana tek bir bak\u0131\u015fla hakim olman\u0131z\u0131 sa\u011flar. Ayasofya\u2019n\u0131n kubbesinden bile daha geni\u015f olan bu yap\u0131, Osmanl\u0131 mimarlar\u0131n\u0131n m\u00fchendislikte ula\u015ft\u0131\u011f\u0131 zirve noktas\u0131d\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

G\u00f6ky\u00fcz\u00fcne Uzanan Zarif Minareler<\/strong><\/h3>\n\n\n\n

Caminin d\u00f6rt k\u00f6\u015fesinde y\u00fckselen 70 metre y\u00fcksekli\u011findeki minareler, d\u00f6neminin en ince minareleri olma \u00f6zelli\u011fini ta\u015f\u0131r. Ancak Selimiye\u2019nin minareleri sadece estetik birer kule de\u011fildir. \u00d6n k\u00f6\u015felerdeki iki minarede \u00fc\u00e7er ayr\u0131 merdiven bulunur. Bu yollar \u00f6yle bir matematiksel hassasiyetle dizayn edilmi\u015ftir ki; \u00fc\u00e7 ayr\u0131 \u015ferefeye \u00e7\u0131kan \u00fc\u00e7 ki\u015fi, birbirini asla g\u00f6rmeden yukar\u0131 ula\u015fabilir. Bu, Sinan\u2019\u0131n geometri bilgisinin b\u00fcy\u00fcleyici bir tezah\u00fcr\u00fcd\u00fcr.<\/p>\n\n\n\n

\u0130\u00e7 Mekanda Sanatsal \u0130hti\u015fam<\/strong><\/h3>\n\n\n\n

Caminin i\u00e7ine ad\u0131m att\u0131\u011f\u0131n\u0131zda, sizi b\u00fcy\u00fcleyici bir \u0131\u015f\u0131k ve renk c\u00fcmb\u00fc\u015f\u00fc kar\u015f\u0131lar.<\/p>\n\n\n\n

    \n
  • \u0130znik \u00c7inileri:<\/strong> Mihrap duvar\u0131n\u0131 ve h\u00fcnkar mahfilini s\u00fcsleyen \u00e7iniler, 16. y\u00fczy\u0131l\u0131n en kaliteli \u00f6rnekleridir. \u00c7ini desenlerindeki laleler, s\u00fcmb\u00fcller ve bahar dallar\u0131, caminin i\u00e7ini adeta bir cennet bah\u00e7esine \u00e7evirir.<\/li>\n\n\n\n
  • Ters Lale Efsanesi:<\/strong> M\u00fcezzin mahfilinin s\u00fctununda yer alan k\u00fc\u00e7\u00fck ters lale motifi, hem bir imza hem de bir tevazu g\u00f6stergesidir. Rivayete g\u00f6re; cami alan\u0131ndaki lale bah\u00e7esinin sahibi kad\u0131n\u0131n inad\u0131n\u0131 temsil ederken, lalenin “ters” olmas\u0131 estetik bir kusura i\u015faret ederek kusursuzlu\u011fun yaln\u0131zca Allah\u2019a mahsus oldu\u011funu hat\u0131rlat\u0131r.<\/li>\n\n\n\n
  • Mermer ve Kalem \u0130\u015fleri:<\/strong> Minber, tek par\u00e7a mermerin adeta bir oya gibi i\u015flenmesiyle olu\u015fturulmu\u015ftur ve kendi t\u00fcr\u00fcnde d\u00fcnyadaki en iyi \u00f6rneklerden biri kabul edilir.<\/li>\n<\/ul>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    UNESCO ve D\u00fcnya Miras\u0131<\/strong><\/h3>\n\n\n\n

    Selimiye Camii, \u00e7evresindeki Arasta \u00c7ar\u015f\u0131s\u0131, Dar-\u00fcl Kurra ve Dar-\u00fcl Hadis<\/strong> medreseleriyle bir b\u00fct\u00fcn olu\u015fturur. Bu k\u00fclliye yap\u0131s\u0131, Osmanl\u0131 sosyal devlet anlay\u0131\u015f\u0131n\u0131n kalbidir. 2011 y\u0131l\u0131nda UNESCO taraf\u0131ndan tescillenen bu miras, Osmanl\u0131’dan g\u00fcn\u00fcm\u00fcze ula\u015fan en g\u00f6rkemli yap\u0131lardand\u0131r. <\/p>\n\n\n\n

    Ziyaret\u00e7iler \u0130\u00e7in Tavsiyeler<\/strong><\/h3>\n\n\n\n

    Edirne\u2019ye yolunuz d\u00fc\u015ft\u00fc\u011f\u00fcnde, Selimiye\u2019yi sadece bir yap\u0131 olarak de\u011fil, bir hikaye olarak okumaya \u00e7al\u0131\u015f\u0131n. Caminin i\u00e7 avlusundaki \u015fad\u0131rvanda oturun ve d\u00f6rt minarenin kubbeyle olan kusursuz geometrisini inceleyin. Ak\u015fam ezan\u0131 vaktinde minarelerin \u0131\u015f\u0131kland\u0131r\u0131lmas\u0131yla olu\u015fan manzara, size tarihin derinliklerinden gelen tarihimizi anlatacakt\u0131r.<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    SEL\u0130M\u0130YE CAM\u0130\u0130 VE K\u00dcLL\u0130YES\u0130 K\u00dcNYES\u0130<\/strong><\/h3>\n\n\n\n
      \n
    • Eser Ad\u0131:<\/strong> Selimiye Camii ve K\u00fclliyesi<\/li>\n\n\n\n
    • Konum:<\/strong> Edirne, T\u00fcrkiye (Merkez, Meydan Mahallesi)<\/li>\n\n\n\n
    • B\u00e2nisi (Yapt\u0131ran):<\/strong> Sultan II. Selim<\/li>\n\n\n\n
    • Mimar\u0131:<\/strong> Mimar Sinan (Koca Sinan)<\/li>\n\n\n\n
    • \u0130n\u015fa D\u00f6nemi:<\/strong> Osmanl\u0131 Klasik D\u00f6nem<\/li>\n\n\n\n
    • Yap\u0131m Y\u0131l\u0131:<\/strong> 1568 – 1575<\/li>\n\n\n\n
    • Mimari Tarz:<\/strong> Merkezi Planl\u0131 Klasik Osmanl\u0131 Mimarisi<\/li>\n\n\n\n
    • \u00d6ne \u00c7\u0131kan \u00d6zellik:<\/strong> Mimar Sinan’\u0131n “Ustal\u0131k Eserim” dedi\u011fi yap\u0131.<\/li>\n\n\n\n
    • UNESCO Durumu:<\/strong> 2011 y\u0131l\u0131ndan bu yana D\u00fcnya Miras Listesi\u2019nde.<\/li>\n\n\n\n
    • Kubbe \u00c7ap\u0131 \/ Y\u00fcksekli\u011fi:<\/strong> 31,25 metre \/ 43,25 metre<\/li>\n\n\n\n
    • Minare Say\u0131s\u0131 ve Boyu:<\/strong> 4 adet \/ 70,89 metre<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

      Osmanl\u0131 tarihimizin en g\u00f6rkemli tarihi yap\u0131lar\u0131 aras\u0131nda yer alan ve Mimar Sinan’\u0131n da ustal\u0131k eserim dedi\u011fi o tarihi cami: Selimiye Cami. D\u00fcnya mimarl\u0131k tarihinin en parlak dehalar\u0131ndan biri olan Mimar Sinan\u2019\u0131n, 80 ya\u015f\u0131nda in\u015fa etti\u011fi ve “Ustal\u0131k eserim” diyerek ta\u00e7land\u0131rd\u0131\u011f\u0131 Selimiye Camii, sadece Edirne\u2019nin de\u011fil, t\u00fcm \u0130slam co\u011frafyas\u0131n\u0131n en g\u00f6rkemli yap\u0131lar\u0131ndan biridir. Osmanl\u0131 \u0130mparatorlu\u011fu’nun g\u00fcc\u00fcn\u00fc, zarafetini ve teknik bilgisini tek bir kubbe alt\u0131nda a\u00e7\u0131k ay format\u0131nda toplayan bu devasa yap\u0131, as\u0131rlard\u0131r \u015fehrin her noktas\u0131ndan bir kandil gibi parlamaktad\u0131r. Sultan\u0131n R\u00fcyas\u0131 ve Sinan\u2019\u0131n Dehas\u0131 Sultan II. Selim\u2019in emriyle yap\u0131m\u0131na ba\u015flanan cami, \u0130stanbul yerine Edirne\u2019ye in\u015fa edilmi\u015ftir. Bunun sebebi olarak, Edirne\u2019nin o d\u00f6nemde imparatorlu\u011fun bat\u0131daki merkezi olmas\u0131 ve Sultan II. Selim\u2019in \u015fehre olan \u00f6zel sevgisi g\u00f6sterilir. Mimar Sinan, bu yap\u0131da daha \u00f6nce \u015eehzadeba\u015f\u0131 ve S\u00fcleymaniye\u2019de denedi\u011fi t\u00fcm teknikleri en \u00fcst seviyeye ta\u015f\u0131m\u0131\u015f; geleneksel mimarideki “destek duvarlar\u0131” ve “yar\u0131m kubbeler” engelini a\u015farak devasa bir bo\u015fluk yaratmay\u0131 ba\u015farm\u0131\u015ft\u0131r. Matematik ve Sanat\u0131n Bulu\u015ftu\u011fu Kubbe Selimiye\u2019yi d\u00fcnya \u00e7ap\u0131nda e\u015fsiz k\u0131lan en \u00f6nemli \u00f6zellik, tek bir merkez etraf\u0131nda toplanan mekan b\u00fct\u00fcnl\u00fc\u011f\u00fcd\u00fcr. Sinan, yakla\u015f\u0131k 31,5 metre \u00e7ap\u0131ndaki devasa kubbeyi, sekiz adet fil aya\u011f\u0131na (devasa s\u00fctunlar) oturtmu\u015ftur. Bu sistem, caminin i\u00e7ine girdi\u011finiz an t\u00fcm mekana tek bir bak\u0131\u015fla hakim olman\u0131z\u0131 sa\u011flar. Ayasofya\u2019n\u0131n kubbesinden bile daha geni\u015f olan bu yap\u0131, Osmanl\u0131 mimarlar\u0131n\u0131n m\u00fchendislikte ula\u015ft\u0131\u011f\u0131 zirve noktas\u0131d\u0131r. G\u00f6ky\u00fcz\u00fcne Uzanan Zarif Minareler Caminin d\u00f6rt k\u00f6\u015fesinde y\u00fckselen 70 metre y\u00fcksekli\u011findeki minareler, d\u00f6neminin en ince minareleri olma \u00f6zelli\u011fini ta\u015f\u0131r. Ancak Selimiye\u2019nin minareleri sadece estetik birer kule de\u011fildir. \u00d6n k\u00f6\u015felerdeki iki minarede \u00fc\u00e7er ayr\u0131 merdiven bulunur. Bu yollar \u00f6yle bir matematiksel hassasiyetle dizayn edilmi\u015ftir ki; \u00fc\u00e7 ayr\u0131 \u015ferefeye \u00e7\u0131kan \u00fc\u00e7 ki\u015fi, birbirini asla g\u00f6rmeden yukar\u0131 ula\u015fabilir. Bu, Sinan\u2019\u0131n geometri bilgisinin b\u00fcy\u00fcleyici bir tezah\u00fcr\u00fcd\u00fcr. \u0130\u00e7 Mekanda Sanatsal \u0130hti\u015fam Caminin i\u00e7ine ad\u0131m att\u0131\u011f\u0131n\u0131zda, sizi b\u00fcy\u00fcleyici bir \u0131\u015f\u0131k ve renk c\u00fcmb\u00fc\u015f\u00fc kar\u015f\u0131lar. UNESCO ve D\u00fcnya Miras\u0131 Selimiye Camii, \u00e7evresindeki Arasta \u00c7ar\u015f\u0131s\u0131, Dar-\u00fcl Kurra ve Dar-\u00fcl Hadis medreseleriyle bir b\u00fct\u00fcn olu\u015fturur. Bu k\u00fclliye yap\u0131s\u0131, Osmanl\u0131 sosyal devlet anlay\u0131\u015f\u0131n\u0131n kalbidir. 2011 y\u0131l\u0131nda UNESCO taraf\u0131ndan tescillenen bu miras, Osmanl\u0131’dan g\u00fcn\u00fcm\u00fcze ula\u015fan en g\u00f6rkemli yap\u0131lardand\u0131r. Ziyaret\u00e7iler \u0130\u00e7in Tavsiyeler Edirne\u2019ye yolunuz d\u00fc\u015ft\u00fc\u011f\u00fcnde, Selimiye\u2019yi sadece bir yap\u0131 olarak de\u011fil, bir hikaye olarak okumaya \u00e7al\u0131\u015f\u0131n. Caminin i\u00e7 avlusundaki \u015fad\u0131rvanda oturun ve d\u00f6rt minarenin kubbeyle olan kusursuz geometrisini inceleyin. Ak\u015fam ezan\u0131 vaktinde minarelerin \u0131\u015f\u0131kland\u0131r\u0131lmas\u0131yla olu\u015fan manzara, size tarihin derinliklerinden gelen tarihimizi anlatacakt\u0131r. SEL\u0130M\u0130YE CAM\u0130\u0130 VE K\u00dcLL\u0130YES\u0130 K\u00dcNYES\u0130<\/p>\n","protected":false},"author":1,"featured_media":402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,112,11],"tags":[141,125,134,132,140,135,138,137,133,139],"class_list":["post-397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edirne-tarihi-camileri","category-en-buyuk-camiler","category-osmanli-camileri","tag-ahmet","tag-cami","tag-camii","tag-edirne","tag-kultur","tag-mimar-sinan","tag-osmanli","tag-selim","tag-selimiye","tag-tarih"],"_links":{"self":[{"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":2,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"predecessor-version":[{"id":404,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/posts\/397\/revisions\/404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/media\/402"}],"wp:attachment":[{"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tarihicamiler.com\/index.php\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}